GHADIRIAN QAJAR SERIES

Water and Persian Rugs. They want to mix these two together. In , Ghadirian married the Iranian photographer and author Peyman Hooshmandzadeh born Tehran, Iran who also studied photography at Azad University. This is the story that I wanted to tell. She holds a tape recorder listening to music. Bay Area listeners “Hidden World of Girls” stories. I realized that we have a very good history of photography in Iran because years ago our king was interested in photography.

But, of course everything exists through the black market. The evocative photo became the logo for our series—unexpected, paradoxical, rich with story. You also need to have JavaScript enabled in your browser. Audio Gems Audio clip: New Galleries Ayman Baalbaki: All the women, we can see in these pictures, are dressed in the period of 19th century clothes and they belong to the artist’s family or are her close friends. So, contrary to the expectation, a girl does not know how to deal with real life and domesticity when she marries.

Love Me, Love Me Not: Adobe Flash Player version 9 or above is required to play this audio clip. I realized that we have a very good history of photography in Iran because years ago our king was interested in photography. Retrieved from ” https: Bibliography Issa, Rose, ed. Follow the Hidden World of Girls. When I see me, I ghadirain the other women like me, my sisters my friends, the women in this country. Shadi Ghadirian born ghadrian TehranIran is a contemporary photographer living and working in Tehran.

So, contrary to the expectation, a girl does not know how to deal with real life and domesticity when she marries. You also need to have JavaScript enabled in your browser.

Shadi Ghadirian completed her first video piece called Too Loud a Solitude in They use the things that are forbidden.

Shadi Ghadirian Nil, Nil. It is now being expanded to cover Sometimes we have these two together. She holds a tape recorder listening to music.

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Untitled from the Qajar Series

As the son of immigrants, born in the UK I reacted to gnadirian with Popular Galleries Minja Gu: They often find their place in a part of history of photography.

Water and Persian Rugs. Contemporary art from Azerbaijan and its Neighbours. Then she pushed her lush, classical compositions one step further. Backgrounds and stylization of the photographs are nearly identical with the surviving original Qajar period photographs, but still each of them is supplemented with one object reffering to qaajr present day.

Untitled from the Qajar series by Shadi Ghadirian on artnet

Sign up for our mailing list: Audio Gems Audio clip: She adds modern elements to these traditional scenes, such as a Pepsi can, a boom box, a bicycle and an avant-garde Tehran newspaper. The evocative photo became the logo for our series—unexpected, paradoxical, rich with story. Ghadirian gained international recognition through the series Qajar and Like Every Day in andrespectively, and is now represented by Aeroplastics Gallery in Brussels, Kashya Hildebrand in London and Re-title.

InGhadirian won a competition for a photograph from her Qajar series depicting two women in hijabs holding a mirror reflecting banned books in a shelf. Portraits taken in the Qajar period were traditionally captured in a formal setting, and the subject often posed with prized possessions and objects that pointed to elite status.

Shadi Ghadirian: Qajar |

Lives and works in Iran. Curator Notes This photograph is from a series of thirty-three portraits by Shadi Ghadirian, a contemporary artist who was inspired by the studio portraiture first introduced to Iran in the late nineteenth century It became fashionable in Iran to be ghadiriaan photographer, almost as well respected as a painter or calligrapher. Bay Area listeners “Hidden World of Girls” stories.

Shortly after the discovery, we spoke by telephone to the photographer, Shadi Ghadirian in Tehran where she lives and works.

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Shadi Ghadirian: Untitled (Qajar Series)

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Ghadirian on Qajar Series: At that time Iran was very open to European ideas and fashions. All the women, we can see in these pictures, are dressed in the period of 19th century clothes and they belong to the artist’s family or are her close friends. On photography and history: These series attempt to work through and reveal the issues that women face living in contemporary Iran while also bringing to light the complexities of negative stereotypes that these same women face coming from abroad.

These archival images sparked her own work, a series of photographs that capture the private worlds of Iranian women today, caught between tradition and modernity. They are not embarrassed. All works of art are presented with consent of respective artists and are subject of their copyrights.

Through her work, she critically comments on the pushes and pulls between tradition and modernity for women living in Iran, as well as other contradictions that exist in everyday life. New Galleries Ayman Baalbaki: Related Galleries Shadi Ghadirian: Funding for this series comes from: Shadi Ghadirian was born in in Tehran, shortly before the Iranian Revolution.

I sense the need ghadlrian movement within my shots.

In their mind they are always thinking about these things. Again sries the Qajar Series: Her work has appeared at the Venice Biennaleand many other prominent biennials and galleries.

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