BNAT LALA MNANA SERIE EPISODE 26

Karima and the Women of the Village Episode 1, Karima zealously expresses that women can work outside, and then they would see if men can take care of the cattle, fetch water and do housework, nurture the children and cook. Karima comes running and grabs a rock; she hits him in the head knocking him unconscious. Rhimou was surprised to discover, for the first time, that their father used to smoke a pipe. It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home. Skip to main content. Another interesting idea that can be elicited from this scene is the fact that Youssef associate the quality of being a woman to following traditions and obeying the father, as soon as Karima transgresses this norm he symbolically strips her from her womanhood and states that he is unsure whether she is a man or a woman because of her behavior. Shocked, Rachid tells her that her father had not informed him of her pregnancy.

Shocked, Rachid tells her that her father had not informed him of her pregnancy. After confirming her identity, he tells Younes that her hair does not look natural and that she is probably wearing contact lenses. The latter accused Mennana of burying her son before she could see him one last time. Hajj Bahi pours tea for Rachid and claims that it has been made by Karima. Skip to main content. She expressively declares that she is now speaking to the governor of the Dar el Ghezlan municipality and it is his duty to listen to what she has to say. Karima and the Women of the Village Episode 1, Aicha Episode 1,

Hajj Bahi leaves the bnar because he has something to do and leaves Rachid sitting in the guestroom. Mounia and Karima Episode 1, Rhimou was surprised to discover, for the first time, that their father used to smoke a pipe.

Karima comes running and grabs a rock; she hits him in the head knocking him unconscious.

Bnat Lalla Mennana Episode 1 – Vidéo dailymotion

The implication in this scene is that being a female will always attract the sexual interest of co-workers and that no matter how good she is at her job —even after successfully performing a heart surgery- she is bnwt looked at as a body and judged as such.

Moving on from to a more recent time, the political scene has witnessed many efforts as far as empowering the image of women in the media is concerned. Karima derie the Women of the Village Episode 1, She expressively declares that she is now speaking to the governor of the Dar el Ghezlan municipality and it is his duty to listen to what she has to say. She closes the pot and confronts her, asking her what she is doing there. They zerie portrayed as showing one face to people and talking bad about them in their back.

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They, then, resume their slogans and leave the ceremony. The latter accused Mennana of burying her son before she could see him one last time.

Esrie confidently declares that they are fed up with silence and that God has given a mnwna to both men and women and the same blood and that they should fight the darkness that resides in the minds of men. Karima also argues that if the women of the village showed solidarity mnwna each other then no one can touch them. She claims that men will never greet their wives in the morning and tell them to go out and have fun while they cook instead.

In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage. Once more, the woman is depicted as a disrespectful figure that does not shy away from sneaking into the kitchen in the middle of a funeral to steal food.

Hanae and introduces himself. Mounia, Karima and Hajj Bahi Episode 1, She then starts sneering at Hajj Bahi and mocking at the fact that he gathered all these people just to welcome a doctor.

As they stop, Hajj Bahi asks Karima about the meaning of all this, and claims that she is embarrassing herself. In addition to that, the male doctor was shown as having the upper hand by having her agree to escort him to a date despite the fact that they have only known each other for a few minutes, this further confirms the idea that women are easily manipulated by men and this scene in fact reinforces this and portrays sexual harassment as something normalized in the work place and that women are fine with it.

She is represented as being shameless in her denial of her mistakes and trying to win the favor of other women by engaging in 16 Bnat La La Mnana, Episode 1 www. Karima zealously expresses that women can work outside, and then they would see if men can take care of the cattle, fetch water and do housework, nurture the children and cook. By telling Youssef 28 Dar el Ghezlane, Episode 1 www.

The Representation of Women in Moroccan Television | Zak Boukhriss –

zerie Amina ironically remarks that Karima is neither like rural girls nor Spanish ones. She wonders aloud and asks Rhimou whether it was a contraband or under warranty.

Karima suddenly walks in and overhears that Mounia asks Youssef about his favorite meals. Hajj Bahi escalates the situation by saying that he will marry her to the first person who knocks on the door.

One of the women, Amina who is played by Noura Skalli, complains to her husband about the unpleasant smell there and sarcastically wonders if there was no water or soap around for people to smell that bad.

Interestingly, this scene depicts the sudden emancipation that the absence of the father figure leaves.

Rhimou suddenly enters the kitchen and catches Aicha in the act. Chama then entered the werie and ran to hug her grandmother and they sobbed together; Rhimou and Bahia soon joined them. To fight this, the minister urged political parties to choose female representatives in television programs.

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After that they all leave the villa. The second series that will be featured in the practical part is Dar el Ghezlane. She also opens a box in which he kept his Tasbih beads, favorite cassettes, smoking pipe and photo album.

Youssef and Mounia Episode 1, Karima argues that she does not want to eradicate men; she simply wants to make them understand that without women they would be 25 Dar el Ghezlane, Episode 1 www. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is bjat change some mentalities and that sometimes affection can blind people from such egalitarian considerations.

The Representation of Women in Moroccan Television. Subsequently, the analysis chapter will contain two examples of Moroccan series that were aired on the two eepisode Moroccan channels so as to give a more representative and objective view about how women are represented in Moroccan television. Their maid who is present at the ceremony asks 26 Dar el Ghezlane, Episode 1 www.

She speaks about the inequality that they suffer from and that men are the only ones who are privileged. After looking at her face, Hajj shouts at her because apparently she was wearing make-up. The first example that will be analyzed is Lalla Mennana which is a Moroccan series that was broadcasted in on 2M.

After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. After complimenting her on her successful last surgery he wishes that he assisted her. The second part of this paper consisted of an analysis of the images of women through two examples of Moroccan series.

Bnat Lala Mnana Ep 22 Ramadan 2012 بنات لالة منانة

During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for episore painting the windows properly. Younes asks him if he will ever change and says that Dr. Anis complains to him about how exhausted he is. Another aspect of the misrepresentation of women is that they are repeatedly shown in a position where they heartlessly speak about banal things the new fridge episodr this case or trying to seek personal benefit promoting her merchandize in the most opportune of moments without regard to the personal feelings of others.

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